Some directors don't say much. Michael Mann, for example. I remember on 'The Insider' he never had much to say. He would do a scene, just kind of nod, and then set it up to do it again. And you might do a scene 10 or 12 times or more, the same little 31-second bit. And you could tell he wasn't satisfied, but he wouldn't say much.
Often, when people ask me what I read as a young girl, I lie. Or, I should say, I lie by omission. I tell them about my brilliant fourth-grade teacher, Miss Artis, who assigned us 'Johnny Tremain' and 'Where the Red Fern Grows' and 'Tuck Everlasting,' all books that made an impression on me. And people nod in approval.