I'm interested in character and dialogue and exchange of ideas.
In the morning, Capra would arrive with twenty-or-so pages in which he'd written down all of his ideas. Most were terrible, then all of a sudden there would be one which was astounding.
So, as one sees, I by no means deprive my world of stubborn reality, if I merely call it a world of ideas.
I did parallel entrepreneurship, which was very hard to do. It was hard to keep your head straight and know which ideas were with which company.
Feeling is the consciousness of the resulting conditions - of success, failure, equilibrium, compromise or balance, in this continuous rivalry of ideas.
Blues is the bedrock of everything I do. All the characters in my plays, their ideas and attitudes, the stance they adopt in the world, are all ideas and attitudes that are expressed in the blues.
Ideas move rapidly when their time comes.
You have to work with the ideas and give them a little push.
I've had many ideas come from clients.
I have a flood of ideas in my mind. I just follow my vision.
I never drink while I'm working, but after a few glasses I get ideas that would never have occurred to me dead sober.
I am only interested in the ideas that become obsessive and make me feel uneasy. The ideas that I'm afraid of.